In an exciting move for the international film industry, Calgary-based Peterson Polaris Corp has signed on as a key player in the production of “What’s Left Of Us,” a dystopian action-horror film helmed by Filipino-American director Tyrone Acierto. This collaboration, which also includes the Philippines’ Fusee and Acierto’s own production company, CineBandits, captures the essence of creative globalization, combining talents and resources from various backgrounds to craft a compelling narrative. The prospect of such a collaboration between North American and Asian filmmakers not only opens doors for richer storytelling but also provides a platform for diverse voices to resonate within a global context.
The project recently received the prestigious TAICCA Focus Asia Co-production Award at the Far East Film Festival, marking it as a noteworthy contender in the independent film sphere. With the film set to be shot in the Philippines and featuring an international cast, the promise of “What’s Left Of Us” lies within its thematic depth and the universal struggle for identity amid chaos.
Exploring Identity Through Genre
Acierto’s storytelling is known for delving deep into themes of identity, survival, and socio-political commentary. His previous works, including “The Grave Bandits” and “Watch Me Kill,” focus on narratives that question and challenge the very fabric of societal norms. This new endeavor seems to promise a similar exploration, positioning itself uniquely at the intersection of horror and existential inquiry. The premise revolves around a family grappling with survival in a world plagued by a memory-erasing infection, which serves as a potent metaphor for contemporary society’s challenges with identity and information distortion.
In a world overwhelmed by misinformation and a throbbing uncertainty about the nature of truth, “What’s Left Of Us” dares its audience to confront their anxieties head-on. The narrative’s emphasis on memory and its fragility is particularly relevant today, as it reflects the increasing instability we face in our perception of history, fact, and identity. It challenges viewers to consider: What remains when the foundational memories that shape us are stripped away?
Leading Industry Visionaries Unite
Peterson Polaris Corp is spearheaded by Michael Peterson, a figure who has carved out a notable name in the horror genre with films like “Bloodthirsty” and “Harpoon.” His commitment to high-quality, impactful storytelling is evident in his impressive track record, which includes recognition and accolades from film festivals across the globe. Peterson’s involvement in “What’s Left Of Us” signals a commitment to bringing innovative genre-driven narratives to the forefront of cinema.
The collaborative spirit is further enriched by Wilfredo Manalang of Fusee, a production company known for enhancing synergy between the North American and Asian markets. This model is vital for the evolving landscape of film, where stories that resonate across cultures not only attract diverse audiences but also enrich the viewing experience. As Manalang aptly puts it, “What’s Left Of Us” serves as a “dystopian reimagining of the search for truth,” making it as much a reflection of current societal anxieties as it is a work of speculative fiction.
A Collective Vision for a Global Audience
Commitment from the creative teams on both sides of the Pacific is palpable, with Acierto expressing genuine excitement about bringing these artists together. This partnership underscores a fundamental belief that collaboration across borders can produce cinema that captivates and engages a wide-ranging audience. The mutual devotion to the film’s vision reinforces the idea that storytelling is a powerful mechanism for connection, even in times of upheaval.
Filmmaking in today’s climate calls for courageous exploration of complex themes. With “What’s Left Of Us,” Acierto, Peterson, and Manalang are poised to challenge audiences while also providing a thrilling cinematic experience. The narrative aims to dissect the intense emotional landscape formed by the current era, where memory, facts, and identity find themselves in constant flux. As the film gears up for production, its success will undoubtedly depend on how effectively it can resonate with viewers in a world grappling with similar themes.
The convergence of horror and action in this story serves as a gripping avenue to explore these pressing issues, ensuring that “What’s Left Of Us” is not merely a film but a profound commentary on our times, designed to provoke thought, discussion, and perhaps a reevaluation of what truly defines us.