Australia’s streaming industry is at a crossroads, with pressing issues surrounding local content regulations demanding immediate attention. The recent survey conducted by Screen Producers Australia (SPA) lays bare the challenges faced by local producers, amplifying an urgent call for legislative action. The backdrop to these concerns is a delay in implementing content quotas that would
International
Filipino filmmaker Lav Diaz, known for his audacious storytelling and painstakingly lengthy films, is stirring excitement in the cinematic world with his latest venture, *Beatrice, The Wife*. With a robust narrative centered around the historical figure Beatrice Barbosa de Magallanes, the film promises to be both an intimate portrait and a grand adventure. Interestingly, while
Kenneth Lonergan, a luminary in contemporary cinema, has carved a unique niche for himself as both a celebrated screenwriter and director. During his recent appearance at Storyhouse, Dublin’s screenwriting festival, he spoke candidly about the complex landscape of filmmaking, revealing how essential it is for writers to maintain creative autonomy. Many aspiring writers in attendance
The Doha Film Institute (DFI) held its annual talent and project meeting amidst an atmosphere charged with global tension, particularly stemming from the escalating crisis in Gaza. Attended by approximately 300 participants, the event took place at Doha’s prestigious Museum of Islamic Art. Reflective of the film industry’s responsibility in the face of societal upheaval,
The anticipation surrounding the third season of the acclaimed surveillance thriller, *The Capture*, speaks volumes about the series’ ability to blend social commentary with compelling storytelling. The show returns, a whole year after protagonist Rachel Carey, played by the talented Holliday Grainger, rocked the foundations of the UK intelligence apparatus by going public with a
In the ever-evolving landscape of television drama, BBC and ZDF have embarked on an intriguing venture with their newly announced series, *Honey*. Originally branded as a “flirty” Cold War spy drama, critical revelations have surfaced indicating that this production serves as a prequel to the highly acclaimed *Killing Eve*. The series will delve into the
On a day that was supposed to signify cooperation and unity between nations, President Donald Trump’s interaction with Ukrainian President Volodymyr Zelensky turned into a public spectacle that shocked observers worldwide. Instead of fostering a spirit of collaboration, Trump launched a series of unfounded accusations against Zelensky, suggesting he was igniting World War III. This
In a significant push towards expanding its media landscape, Australia’s Nine Entertainment is collaborating with producer WTFN to unveil a series of global Free Ad-Supported Streaming Television (FAST) channels and on-demand services. This partnership demonstrates a forward-thinking approach to content monetization, capitalizing on the underutilized assets within the WTFN library. The inaugural offering from this
As CinemaCon revs up in Las Vegas, it’s evident that Hollywood is entering a dynamic phase in its global box office landscape. Recent figures depict a varied picture, underscoring the industry’s fluctuating fortunes overseas. Notably, Jason Statham’s latest venture, *A Working Man*, carved out a commanding presence with a global debut yielding $30.2 million, bolstered
The world of independent filmmaking, much like the creative process itself, is inherently fraught with risks and uncertainties. Recent developments surrounding the indie film *Angels in the Asylum* serve as a stark reminder of this volatility. Producers Rob Sorrenti and Heather Greenwood found themselves in hot water after the project was forced to pause indefinitely